Using automation processes to create an interesting build. Using Alchemy again to create a lead sound, Carl goes on with the arrangement which he states helps him decide what other sounds are needed, He answers a question on how long the breakdown should be, and how he created a unique sound for himself.
He uses LFOTool to shape the volume of the loop. Percussion :Ĭarl looks at flex timing shaker loops and adds in an additional hat to add pace to the track. Recapping on all the parts Carl has produced for this track, so far working with a kick drum, hats, strings, chords, bass and a sampled effect. He creates the lead sound using Arturia’s Prophet V software synthesizer.
Alchemy vst pumping setting how to#
Carl explains how to chop a loop up into a MIDI playable instrument making it easier to tweak and manipulate. Using Alchemy to create a string pattern. Carl then starts to work with Ultrabeat to write in hat patterns. Along with the Retro Synth plugin, he begins to write out chords for the track. Stating that he is not a keyboard player, Carl shows us how he uses the Chord Trigger MIDI effect in Logic. He uses Sub Boom Bass to create a bassline played in 1/16th notes. Using the drum samples, Carl Bee starts to carve a loop to make his own rhythms. Sharing a range of tips and tricks to get your production process flowing. Using a selection of audio samples, Sub37 MIDI editor, TR8s, Arturia Prophet V and a range of stock Logic 10 plugins, Carl creates a deep, hypnotic track from scratch.
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